71. The Shining (1980)

Horror

Our list doesn’t lack for Stanley Kubrick movies (nor should it). Still, it’s shocking to remember that The Shining—so redolent of the director’s pet themes of mazelike obsession and the banality of evil—was once considered a minor work. It’s since come to represent the most concentrated blast of Kubrick’s total command; he’s the god of the film, Steadicam-ing around corners and making the audience notice that he was born to redefine horror. Even if we can’t roll with the crackpot fan theories about how Kubrick allegedly faked the Apollo moon landing, we’ll readily admit that this film contains cosmic multitudes.

《闪灵》

       我们的名单不缺少斯坦利·库布里克的电影（也不应该）。尽管如此，令人震惊的是，记得《闪灵》曾经被认为是一部次要作品，《闪灵》曾被认为是一部次要作品，它散发着导演的迷宫般的痴迷和平庸的宠物主题。从那以后，它代表了库布里克完全指挥最集中的爆炸；他是电影之神，藏在拐角处的摄影稳定器的作用，让观众注意到他生来就是为了重新定义恐怖。即使我们不能接受关于库布里克如何伪造阿波罗登月的疯子粉丝理论，我们也会欣然承认这部电影包含宇宙的多样性。

72. Toy Story (1995)

Animation

The one that got Pixar’s (Luxo) ball rolling and still an absolute high-water mark for CG animation, Toy Story reinvented what a family movie could be. On the surface, it’s a simple story about a couple of miniature rivals sizing each other up (Woody was originally going to be a whole mess meaner), before falling into peril at the hands of next-door pyrotechnics genius Sid. But it’s also about jealousy, power dynamics and our relationships with our own childhoods. With it, Pixar took storytelling to infinity and far, far beyond.

《玩具总动员》

     《玩具总动员》让皮克斯（Luxo）的球滚滚而来，并且仍然是CG动画的绝对高水准标志，它重塑了家庭电影。从表面上看，这是一个关于几个微型竞争对手互相调整规模的简单故事（Woody原本会更卑鄙），然后被隔壁烟火天才Sid弄得危险。但这也是关于嫉妒、权力动态以及我们与自己童年的关系。有了它，皮克斯将把故事带到了更远的地方。

73. Killer of Sheep (1977)

Shot on 16-millimeter film in sketchy light, Charles Burnett’s UCLA graduate thesis film stitches together seemingly mundane vignettes to form a compelling mosaic of late-’70s African-American life. A landmark of independent black cinema, it’s set to a great soundtrack ranging from blues and classical to Paul Robeson. Poetic, compassionate, angry, ironic: All human life is present here.